Battersea-based ambient composer Robin Rimbaud, aka Scanner, takes his curious pseudonym from his compositional tool of choice; the cellphone scanner. Although only recording and releasing music since the early '90s, Rimbaud has already earned a reputation as a boundary pushing experimentalist, wedding scanned vocal samples with sparse electronics and other textural elements that underscore the degree of strain and isolation often associated with modern telecommunications technology. Though working increasingly toward other, more musical compositional devices, his first several releases went heavy on the lifted convo, attracting as often the comment of postgrad pocket theorists interested in the critical implications of Rimbaud's work as the music critics.