Ambient/jazz jungle producer Jamie Odell was near the top of the hype list for 1997, his Jimpster project upped by the likes of Mixmaster Morris and Coldcut. However, as jungle's avant-garde veered into techstep territory and "ambient" and "jazz" switched from drum'n'bass adjectives to unsavory invectives, Jimpster's appeal switched from the dancefloor to the armchair, gaining popularity instead (like Squarepusher and Cujo's Amon Tobin) among electronica audiences.
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