Another in the latter-day parade of tradition-respecting "young lions," Stephen Scott brings a formidable technique, some of Ahmad Jamal's locked-groove obsessions, and elements of Wynton Kelly, Bud Powell, and McCoy Tyner to his work. However, Scott showed he could expand beyond his neo-bop base on The Beautiful Thing, an album with pronounced Latin and soul-jazz tendencies on some tracks. He started piano at the age of five, and progressed rapidly to the point where he was taking private lessons at Juilliard at 12.
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