Active: 70's, 80's, 90's, 2000's Formed: 1976 in Crawley, England
Siouxsie and the Banshees, Joy Division, The Sex Pistols, Klee, Roxy Music, Jimi Hendrix, Brian Eno, Billie Holiday, The Velvet Underground, Ultravox, Television, Led Zeppelin, The Kinks, The Clash, Can, Buzzcocks, David Bowie, The Beatles
Love and Rockets, New Order, The Creatures, The Mission UK, The Sisters of Mercy, Bauhaus, Depeche Mode, Echo & the Bunnymen, Wild Swans, Morrissey, Wire, Soft Cell, Gene Loves Jezebel, Bronski Beat, The Comsat Angels, The Names, The Opposition, The Sound, Catherine Wheel
Boys Don't Cry, The Mission UK, Curve, Vanishing Kids, The Stills, Smashing Pumpkins, The Jesus and Mary Chain, Black Kids, Jane's Addiction, The Good Life, Strangeway, American Eyes, Faith & the Muse, Stolen Thought, Zapato 3, Maria Fatal, The Autumns, I Am Ghost, My Favorite
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Out of all the bands that emerged in the immediate aftermath of punk rock in the late '70s, few were as enduring and popular as the Cure. Led through numerous incarnations by guitarist/vocalist Robert Smith (born April 21, 1959), the band became notorious for its slow, gloomy dirges and Smith's ghoulish appearance, a public image that often hid the diversity of the Cure's music. At the outset, the Cure played jagged, edgy pop songs before slowly evolving into a more textured outfit. As one of the bands that laid the seeds for goth rock, the group created towering layers of guitars and synthesizers, but by the time goth caught on in the mid-'80s, the Cure had moved away from the genre. By the end of the '80s, the band had crossed over into the mainstream not only in its native England, but also in the United States and in various parts of Europe. The Cure remained a popular concert draw and reliable record-seller rhroughout the '90s, and their influence could be heard clearly on scores of new bands during the new millenium, including many that had little to do with goth.
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